Friday, June 09, 2006

Watching The Defectives

Gentle readers, this post first ran last year, a couple of days after New York City's Pride Parade. I got so many wonderful emails wishing that I'd made this post before Pride, rather than after it, that I'm reposting it today. The original post is here, if you'd like to read last year's responses to it. This weekend Pride events take place in Boston, DC, Brooklyn, Austin, Albuquerque and many other places. For a list of events and dates around the nation, go here.

Watching The Defectives

Last Sunday, at 12:30pm, I was in position on Christopher Street with Terrence, his glamour boys, and touring UK bloggers Dave and Darren. The Pride parade was due to round the corner any minute, but I tore off in search of a bodega, crossing my fingers that my desperate need for a soda wouldn't cause me to miss Dykes On Bikes. Half a block away, I found a little place and ducked in, weaving thru the customers clogging the aisles on rushed missions like mine. I was third in line, two bottles of Sprite under my arm, when the man in front of me spotted a friend entering the store.

"David! Sweetie! Where are you watching from? Come hang out with us on Allen's balcony!"

David, a bookish looking middle-aged man, destroyed the festive mood in the little store in an instant. "Absolutely not. Those defectives and freaks?" he spat, indicating the colorful crowd outside the store, "They have nothing to do with MY life, thank you very much. This parade has as much dignity as a carnival freak show. It's no wonder the whole country hates us."

Luckily for David, the Asshole Killer mind ray I've been working on is not yet operational. I settled for pushing him a little, just a tiny bit, just to get by him in that narrow aisle, of course. I returned to my sweaty little group and tried to put what I'd heard out of my mind for the remainder of the day, because I knew that by the next morning, the thousands of Davids of the world, the ones who have media access anyway, would all issue their now familiar day-after-Pride rant. The one where they decry the drag queens on all those newspaper front pages. The one where they beat their chests and lament, "Why don't the papers ever show the NORMAL gay people? Where are the bankers and lawyers? Why must all the coverage be drag queens and leather freaks in ass-less chaps?"

And every year, the logical answer is that bankers and lawyers are boring to look at, and that pictures of marching Gap employees don't sell newspapers. There's no sinister media agenda intent on making gay people look ridiculous, no fag-hating cabal behind the annual front page explosion of sequins and feathers. It's just good copy. Drag queens are interesting. Even the bad ones. Especially the bad ones.

But sure enough, the day after Pride, the Davids of the blogosphere dished out their heavy-handed dissections of parades around the country. Only this year, there was a palpably nastier tone to an already traditionally nasty annual debate. Blame the election, blame the recent avalanche of anti-gay legislation, but this year, the usual assimilationist arguments went beyond the hypothetical speculations that maybe our Pride parades were too outlandish, that maybe we weren't doing the movement any favors by showing the country a face that happened to be wearing 6-inch long false eyelashes. This year, there was some actual discussion about HOW we were going to "fix" Pride parades. How we might go about "discouraging" certain "elements" from taking part in the parades.

This is the part of the story where I have my annual post-Pride apoplectic attack. This is the part of the story where the swelling volume of Nazi analogies overwhelm my ability to speak, and all I can do is twitch and bark out little nonsensical bits. This is where I always forget the name given to the Jews who went to work for the Nazis, helping load the trains. "Because that's what you are asking us to do, you assholes!" Then I always ask, "Who are we going to sacrifice to "save" ourselves? Which child will it be, Sophie?" And this is the part of the story where my friends accuse me of being a hyperbole-laden drama queen, wasting spiritual energy on a non-crisis, and of coopting the Holocaust as well. More on that later.

These people that want to "fix" Pride don't understand the role that Pride parades have come to play. Initially, the gay parade was about visibility. It was about safety in numbers, and more importantly, "normalcy" in numbers. It was about the idea that if only straight America could see us, could just SEE US, that they'd love us. And accept us. That if we'd mass and march by the righteous millions, the sheer unstoppable force of our collective image would topple bigotry. Would right wrongs. Would stop hate.

Of course, that doesn't happen, not anymore.

What DOES happen, is that Pride parades, at least in the big cities, have become nothing more significant to straight America than an annual traffic nightmare. As a tool of the gay movement, the Pride parade is now merely a walking photo op for politicians, and not much more. A couple of years ago, the ultimate arbiter of America's cultural zeitgeist, The Simpsons, made note of this:

(The gay pride parade is going past the Simpson house.)

Chanting marchers: "We're here! We're queer! Get used to it!"

Lisa Simpson: "You're here every year. We ARE used to it."

What does all of this mean to the Davids of the world? The gay assimilationists that want to, wish they could, somebody do something, there's gotta be a way we can, Dignify This Parade? The ones begging, "Can't we get our people to at least DRESS respectfully for one lousy day? Is that too much to ask of our people? " Yes, yes it is. Because you are wasting your breath if you think Pride parades, in any form, will EVER change the minds of homophobes. The straight people who show up to see Pride parades are already largely convinced. We're parading to the choir, Jesse. Those straight people love our freaks, bless them.

Oh, you could test run a "defective" free parade. You could form urban anti-tranny squads and go around to all the gayborhoods on the morning of the parade and give all the drag queens 50% off coupons for Loehmann's, offer good during the parade only. And they'd GO, of course, cuz hey, those girls love a bargain. But the resultant bland, humorless, "normal" gay parade wouldn't change the course of the gay movement one bit. The part of straight America that is repulsed by drag queens is quite possibly even more terrified by the so-called "normal" gays, because "those clever calculating creatures look JUST LIKE US, and can infiltrate and get access to our precious children, and that's been their disgusting plan all along, of course".

So where does that leave us? Are we post-Pride? Is the parade just a colossally long waste of a miserably hot summer day? Is the Pride parade just an event that does a better job of moving chicken-on-a-stick, than it does of moving hearts? I'd say that, yes, as an effective tool of the gay movement, Pride's usefulness has largely waned, in many U.S. cities. So do we even need to keep having these parades, since they no longer seem to have much of an impact on the state of the movement? No, we don't.

But...YES, WE DO.

Because even if Pride doesn't change many minds in the outside world, it's our PARTY, darlings. It's our Christmas, our New Year's, our Carnival. It's the one day of the year that all the crazy contingents of the gay world actually come face to face on the street. And blow each other air kisses. And wish each other "Happy Pride!". Saying "Happy Pride!" is really just a shorter, easier way of saying "Congratulations on not being driven completely batshit insane! Way to go for not taking a rifle into a tower and taking out half the town! Well done, being YOURSELF!"

I'm not worried what the outside world thinks about the drag queens, the topless bulldaggers or the nearly naked leatherfolk. It's OUR party, bitches. If you think that straight America would finally pull its homokinder to its star-spangled bosom, once we put down that glitter gun, then you are seriously deluding yourself. Next year, if one of the Christian camera crews that show up to film our debauched celebrations happen to train their cameras on you, stop dancing. And start PRANCING.

All you suburban, lawn mowing, corpo-droid homos out there, hiding behind your picket fences, the ones wringing your hands and worrying that Pride ruins YOUR personal rep, listen up. Do you think that straight Americans worry that Mardi Gras damages international perception of American culture? America, land of the free, home of "Show Us Your Tits!"? They don't, and neither should we. Our Pride celebrations are just our own unique version of Mardi Gras, only instead of throwing beads, we throw shade. No one has to ask US to show our tits. We've already got 'em out there, baby. And some of them are real.

A co-worker of mine heard me discussing my Pride plans last weekend and said, "I really don't understand what it is you are proud about. I mean, you all say that you are born that way, so it's not like you accomplished anything." She wasn't being mean, just genuinely curious, and I think that a lot of gay people probably feel the same way, quite frankly. On this subject, I can only speak for myself.

I'm proud because I'm a middle-aged gay man who has more dead friends than living ones, and yet I'm not completely insane. I've lived through a personal Holocaust (here we go again) in which my friends and lovers have been mowed down as thoroughly and randomly as the S.S guards moved down the line of Jews. You, dead. You, to the factory. And you, you, you, and you, dead. I am inexplicably alive and I am proud that I keep the memories of my friends alive. I am proud of my people, the ACT-UPers, the Quilt makers, the Larry Kramers, the Harvey Fiersteins. I'm proud that I'm not constantly curled up into a ball on my bed, clutching photo albums and sobbing. And that happens sometimes, believe it.

And outside of my personal experiences, I am proud of my tribe, as a group. Sometimes I think that gay people are more creative, more empathic, more intuitive, more generous, and more selfless than anybody else on the planet. Sometimes I think that if an alien culture were surveying our planet from light years away, they might classify gay people as an entirely separate species of humans. It's easy to spot us because of our better haircuts.

But sometimes I think we are the worst people in the entire world when it comes to standing up for each other. The gay people who'd like to soothe their personal image problems by selectively culling some of our children from Pride events? They disgust me. They appall me. They embarrass me. To them I say: the very road that YOU now have the privilege of swaggering upon was paved by those very queens and leather freaks that you complain about, as you practice your "masculine" and give us butch face. If you want to live in the house that THEY BUILT, you better act like you damn well know it! United we stand, you snide bitches. America's kulturkampf ain't gonna be solved by making flamboyant people go away.

I'll end this by making one final Jewish reference. Possibly you've heard the Jewish in-joke that sums up the meaning of all Jewish holidays? "They tried to kill us. We won. Let's eat." My Pride version?

They wish we were invisible.

We're not.

Let's dance.


UPDATE: AOL weighs in on this post.

Thursday, June 08, 2006

Oh, It's Broughten

"I've never seen people enjoying their husbands deaths so much." Ann Coulter, in reference to the 9/11 widows, in her new book, Godless: The Church Of Liberalism.

"Ann Coulter drinks the blood of babies and kittens. It's true! I totally saw her!" - Senator Hillary Clinton.

Wednesday, June 07, 2006

Nom De Drag Roll Call

After I posted last week about Rita Beads, some of you wrote to me to tell me your own favorite drag names. We're due for a giggle here, so let's devote a post to that theme, yes? My own taste in drag names runs from the really infantile, like Suppositori Spelling, to the inexplicably funny, like Peaches Christ. See? It's funny every time you say it. Peaches Christ! I'm not crazy about the old punny standbys like Virginia Hamm, Bertha Vanation, Anita Mann, etc, although for many that is their favorite form. I do have a soft spot for the hilariously grandiose names preferred by some of the black drag queens, names such as Monique de Bon Marche' or Veronique von Velioux. (I just made those up, but you know the kind I mean, right?) By the way... Peaches CHRIST! Yup, still funny.

1. Rita Beads
2. Peaches Christ
3. Suppositori Spelling

Now you.
.

Unfocused

As expected, the gay marriage ban failed in the Senate today, by a vote of 49-48 with a two-thirds majority (60 votes) need to pass. The 49 votes in favor of the ban was only a one vote increase over the last Senate vote on this issue in 2004, with a surprising 7 Republicans voting "No". Only two Democrats voted for the ban, Nebraska's Ben Nelson and West Virginia's Robert Byrd.

Related: Thanks go out to JMG reader Todd, who sent me this Garrison Keilor piece from Salon. Best bit: "Somewhere in the quiet leafy recesses of the Bush family, somebody is thinking, "Wrong son. Should've tried the smart one. This one's eyes don't quite focus."

HomoQuotable - Simon Doonan

"It might take years to get the marriage thingy approved. In the meantime remember that you, as a fabulous person of queerness, are still ahead of the game. You are one of the chosen people. Unlike a straight person, you are free, free to stay down on the farm or free to move to the big city and spread your wings, free to self-invent, free to wear maribou!" - Simon Doonan, author, TV personality, Barneys creative director. (From Doonan's My Ten Gay Commandments - Pride Magazine)

Tuesday, June 06, 2006

Peeping Tom

I knew it!
.

GB:NYC3, Or "Sure, I'll Drink That!"

If you are in New York City and you can't find any alcohol, it's because the bloggers drank it all.

Last weekend was GB:NYC3, the gay bloggers' confab, and starting with the kickoff mixer Friday night at Hell's Kitchen's Barrage, right on through to early Monday morning, I drank beer, I drank shots of tequila, I drank some horrendous sugar-rimmed concoction called a Lemon Drop, and I think there may have been a shot or three of Jagermeister. Never mix, never worry? I mixed. I worried.

Starting with my blogdaddy Vasco, who was celebrating his birthday, right down to my own blogchildren Mark and Eddie, it was a wall-to-wall weekend of digital camera flashes and another kind of flashing. Ahem. And of course, there was some dirty blogger-on-blogger action, including one local notable who strolled into beer bust on Sunday wearing the same clothes from the night before. Yeah, right. Like I'm the only one that's gonna blog about that.

I probably shouldn't attempt to list all the bloggers in attendance, but I will give a few nods to those I met for the first time: Mike of Kiss My Mike, Bob of Bob's Yer Uncle, Rick of Rcktman's Launching Pad, Karen of Tuna Girl, Patrick of Traveling Spotlight. (And about ten others who I can't think of right now.)

Locals I gabbed with at various times: David of Someone In A Tree, Glenn of Glennalicious, Richard of Proceed At Your Own Risk, Erik The Cute Robocub, Eric The Hirsute We, Like Sheep, Michael of So I Like Superman, Mike P of Blather & Bosh, Jeff of Tin Manic, Jase of Life By Jase, Matt of 'Til The Cows Come Home, Chris of See My Briefs, Byrne of Crash & Byrne, and MsOusier. On import: Sean of The Sean Show (who was kinda the star of the weekend), Jeff of Cynically Optimistic (who has pics posted), Mark and Brian of Zeitzeuge (who invented GB:NYC and has pics posted), Scott of Palochi (who had an interesting visit).

I suppose the planning is already underway for GB:NYC4. I need an aspirin.

Pride'06 Hits The Streets

Pride Magazine 2006 hits the streets this week with articles on the midterm elections, the status of gays in Iran, the queer artists who rock pop music, and an exclusive interview with cover subject Marc Jacobs, photographed by Bill Diodato. Also onboard with commentary are John Waters, Justin Bond, Marga Gomez, Edmund White and many other gay luminaries. I especially like the Simon Doonan piece, My Ten Gay Commandments. Look for Pride Magazine in hot spots around your local gayborhood.

Bulge Alert

A friend of mine was just telling me about his recent experience of picking a guy up in a leather bar and getting him home to find that he was wearing a diaper under his Levi's. While I've come across just about every fetish in the book and a few that aren't, infantilism is one I've been thankfully spared. So far. My friend's experience makes it occur to me that maybe we shouldn't let ourselves get too turned on by a bulging basket, because it could be, you know...Huggies.

Bloggers Get High

In the good thing/bad thing department: Jetblue has purchased a band of frequency from the government which will allow them to offer internet and cell phone access and sell such access to other carriers. A wave of blog posts that begin "I'm writing this from 30,000 feet above the Rocky Mountains" coming in 5...4...3....2....

Monday, June 05, 2006

Hilton Hit Hammers Haters

As if I didn't spend enough time wondering if I'm crazy, there's this: I don't hate the Paris Hilton single, Stars Are Blind. In fact, I think I sorta dig it. I mean, I'm sure that with a bit of studio wizardry, even I could be made to sound agreeable, but it really bothers me that I don't hate the song, considering how much I loathe the singer. I must concur with the headline writer who came up with "Paris Hilton Is A Dumb Ho (With An Unexpectedly Catchy Song)".

UPDATE: NY Post review.

HomoQuotable - Frank Oldham

"The epidemic is still lavender." - Frank Oldham, Executive Director, National Association Of People With AIDS, speaking about the changing demographic of those with AIDS, pointing out that over 250,000 gay men of all colors have died. While AIDS is a more and more a disease of women and people of color, Oldham says, "If you had to have a color attached to the epidemic, it is lavender. It's gay men who are white, gay men who Latino, gay men who are Asian, and gay men who are black. The epidemic is still lavender." (via- Bay Area Reporter)

Sunday, June 04, 2006

Instant Disco History #6: On Broadway

As has been well documented on this here website thingy, I have no love for showtunes. I consider it one of my greatest failings as a career homosexual, along with my disinterest in the culinary arts and my apparent inability to discern minor color gradations. Eggplant? Eggshell? Whatever.

However, one does not live in a vacuum and there is just no way for a career homosexual to not absorb some knowledge of showtunes, especially not if you've spent several thousand evenings in a gay disco. Because right after torch ballads, the most disco-versioned of any music genre has got to be Broadway showtunes. And if said showtune is also a torch ballad? Kismet! (And by "kismet", I don't mean the actual 1953 Broadway musical Kismet or the 1955 movie version directed by Vincente Minelli, who made other contributions to homosexual culture.)

Just about every song from every Broadway musical has been given a disco treatment, usually with not-so-great results. Give a listen to The Ethel Merman Disco Album if you're really feeling self-abusive. Formerly a staple of gay dancefloor, the discofied showtune has pretty much disappeared over the last decade or so, tracking the declining number of hit musicals, one could argue. One notable recent exception would be Deborah Cox's 2004 hit, Easy As Life, from Aida. What follows below are six of the most popular disco versions of Broadway showtunes. The songs are available for your download, but I encourage you to purchase the full-lengths, where available.

1. What I Did For Love - Grace Jones, 1977.

From A Chorus Line.

Wow, this is painful. I love Grace Jones, but this is just one painfully bad song. I include it for two reasons: 1)It was a fairly big hit in the gay clubs and 2)Even as bad as it is, it's better than the other showtunes on the album, which include Tomorrow from Annie and Send In The Clowns from A Little Night Music. However this album did give us the immortal morning music classic La Vie En Rose, so all is forgiven.

(Grace Jones, What I Did For Love Island Records 1977. Download What I Did For Love. Purchase Grace Jones: Portfolio, here.)


2. If My Friends Could See Me Now - Linda Clifford, 1978.

From Sweet Charity.

Linda Clifford's If They Could See Me Now remains a staple of disco oldie radio formats. Clifford, a former beauty queen (Miss New York 1963), was signed to Curtis "Superfly" Mayfield's Curtom Records. This track was fully orchestrated and I just love the string section laid against the staccato piano riffs. This is a all-time disco classic, perhaps more than any other Broadway tune gone disco. The album, by the same name, contained a number of hits, most notably Runaway Love.

(Linda Clifford, If My Friends Could See Me Now, Curtom Records 1978. #1 US Dance (5 wks). Download If My Friends Could See Me Now. Purchase Runaway Love: The Singles Anthology, here.

3. Don't Cry For Me Argentina - Festival, 1979

From Evita

Festival was the studio creation of Russian-born New Yorker Boris Midney, who was also the creator of studio acts Beautiful Bend (That's The Meaning, Boogie Motion) and USA-European Connection (Come Into My Heart/Good Lovin'). His Disco Evita album, as Festival, featured four vocalists and a 17-piece orchestra, including Midney himself on violin. The album covers many of the Tim Rice/Andrew Lloyd Webber songs from the Broadway musical, as well as a Midney original titled Evita's Theme: Lady Woman. If I had a nickel for every party I went to that year during which Disco Evita was played in its entirety ...well, I'd have a lot of nickels, because the queens adored this album.

(Festival, Don't Cry For Me Argentina, RSO Records, 1979. #1 US Dance, 1 wk. Download Don't Cry For Me Argentina. Purchase The Boris Midney Anthology, here.

4. Memory - Menage 1983

From Cats

Man, I hated this record. Hate, hate, hated it. But it was a big hit and I must include it. This track has been unavailable commercially for years, so unless you want to track down the 12" in a used record shop or purchase it on one of the outrageously expensive import compilations, you may as well download it here. Menage was a one-off studio creation of Warren Schwartz, who produced Turn The Beat Around for Vicki Sue Robinson.

(Menage, Memory, Profile Records 1983. Download Memory. Purchase HI-NRG Classics, here.)


5. I Am What I Am - Gloria Gaynor, 1983

From La Cage Aux Folles

Gloria Gaynor returned from the triumph of 1979's I Will Survive and in her version of I Am What I Am, arguably created the most enduring and beloved anthem of gay pride yet recorded. Watch a short clip of Gaynor performing I Am What I Am, here. When you hear this song at Pride events this year, and you will, take a look around at some of our butcher brothers having a big ol' nelly moment during "Some think it's noise, I think it's pretty!"

(Gloria Gaynor, I Am What I Am, Silver Blue Records, 1983. Download I Am What I Am. Purchase Gloria Gaynor: I Am What I Am, here.)

6. One Night Only - Scherrie Payne, 1984

From Dreamgirls.

Scherrie Payne was one of the 87 members of The Supremes, post-Diana Ross. Interestingly, former Supreme (#4, I believe) Cindy Birdsong provides backing vocals on One Night Only, which was a decent chart and club success for Payne. A few years ago, Scherrie was part of the hugely failed Supremes reunion tour, which was a major embarrassment to Miss Ross. Scherrie's sister is Freda Band Of Gold Payne. One Night Only was released on San Francisco's way-gay label, Megatone Records, home of Sylvester.

(Scherrie Payne, One Night Only, Megatone Records, 1984. Download One Night Only.)